“The Documentary Group and I were lucky enough to inaugurate the superb new facilities at Blue Table, under the artistry of it’s brilliant editor Oliver Lief. I have never worked under more pleasant or well thought-out conditions. Our work, which was intensive and under a tough deadline, could not have been facilitated with such ease elsewhere. Highly recommended.”
Meryl Streep, Actress & Singer
Paul Epworth Grammy and Academy Awards Winning Producer

“I wanted to be the first to build a WSDG/Augspurger room in London to meet the needs of both British and international artists, producers, and engineers. Bringing WSDG in to design two of their world-renowned rooms was the first step, and the collaboration with Miloco has been an incredibly successful team effort. The Church provides nearly 8,000sqft of recording space over three very different rooms, including rare and vintage recording gear married to the most modern digital and analogue equipment to give users the freedom to indulge their creative impulses instantly.”

Paul Epworth, Owner, Producer, The Church Studios
Ann Mincieli, Grammy awarded engineer, producer and owner of Jungle City Studios in NYC.

“Everyone associated with Jungle City’s design and construction contributed an astonishing level of effort and attention to detail. My dream was to create a luxurious, technically impeccable, 21st Century haven for first tier artists, producers and engineers.  By crafting an ideal creative atmosphere and providing every conceivable tool to support their pursuit of excellence, we hope to make a real contribution to the art of music recording.  And, to help establish New York City as Music Capital of The World.”

Ann Mincieli, Owner, Engineer & Producer, Jungle City Studios
“John Storyk and I had already gone through the ‘getting to know you’ part of the architect-client relationship twenty years ago, so we didn’t have to discuss aesthetics, or my penchant for views and light, but acoustic and electronic technology had changed in that time, and John and Joshua helped bring these to bear so that the room looks simple and calm, despite my fairly complex requirements.  This calm is what I need to write, and one could hardly ask for a more beautiful environment in which to work.”
Carter Burwell, Owner, Composer, The Body & Carter Burwell Studio
Leslie Ann Jones, Grammy awarded engineer and owner of Skywalker Sound Studios.

“I don’t often do live mixing and usually it is for clients who’s records I have recorded. So it was a treat to mix at Fenix, a new supper club in San Rafael, CA., for Pamela Rose and her Wild Women of Song show. I have worked in several Walters-Storyk recording spaces but never in a club they designed. It was a pleasure mixing there. I have never heard a small room sound so good. Very intimate and hardly anything coming off the stage. I could mix at a good listening level and I know the audience felt they were in someone’s living room. Bravo!”

Leslie Ann Jones, Director of Music Recording and Scoring, Skywalker Sound
“I am very, very fond of John–to me, he’s family. I’ll never forget him because as a young man stepping into all of this, he would always pick up the phone or be willing to come down and talk to me about things—his guidance has been extremely important. Now we talk all the time.”
Lee Foster, Studio Manager, Electric Lady Studios
Herb Alpert, Innovator, Musician, Producer, Trumpet player and philanthropist. Owner of the Herb Alpert Foundation and UCLA Herb Alpert School of Music.

“I was attracted to the idea of combining forces with the university to create a jewel of a performance space with excellent sound quality for the school’s students, faculty and audiences.”

Herb Alpert, Innovator, Musician, Philanthropist, UCLA Herb Alpert School of Music - Lani Hall

“I love John Storyk and entire WSDG team – in my opinion they are studio geniuses.  John built Electric Lady Studios.  He gets it.  He and I are building another studio in L.A. right now.  It’s turning into a very interesting place.  Am very thankful to be working with John and his team.”

Jack Antonoff, Producer
“I started out as an intern at The Hit Factory, and their Studio E Live Room was one of the best sounding rooms ever. John Storyk’s design and acoustical skills contributed to the success of all those rooms. When we decided to build our own studio we were committed to going with the best. I called John to bring WSDG on board. They worked with us on every level, and we love what they’ve done for Dream Asylum. It was a great collaboration. We are extremely proud to have a studio that looks and sounds this great.”
Marcella Araica, Co-Owner, Engineer, Producer, Dream Asylum
Cynthia Daniels
“…Thank you John. Every day I am grateful for my decision to work with you and the entire WSDG team. I have grown to appreciate your expertise, generosity and just about everything else that went into the planning and construction of our studio…”
Cynthis Daniels, Owner, Engineer & Producer, MonkMusic Studio
“…I was in the cafe – venue and listened to a jazz trio, playing very lightly, but the sound was terrific — I walked all over the room while the drummer was doing some nice stick work on cymbals, and hear every overtone, bass note and full audio balance. Thanks for all your hard work on this project…”
Roger Brown, President, Berklee College of Music
“I played a club on a boat that WSDG designed. I know it as Nordstern in Basel, Switzerland. It was fantastic! I’m so impressed that the amount of noise I heard outside was very little but the sound level inside was extreme! I had a ball playing there!”
Carl Craig, DJ
“It was a tremendous honor and privilege working with John Storyk, Joshua Morris and WSDG. The studio they designed exceeded all expectations and I couldn’t be happier working in the environment they created to suit every specific need I had. It looks fantastic and sounds even better, and at the end of the day I am thrilled to be the proud owner of such a fabulous studio. Endless thanks, WSDG.”
Adam Young, Owner, Producer, Musician, & Singer-Songwriter, Sky Harbor Studios
“WSDG has a global reputation for extraordinary recording studio design. We were pleased to have had the benefit of their design and acoustic expertise. Many of our clients have congratulated us on the look and the sound of our new recording facility. Those comments regularly remind us that we made the correct decision.”
Jose Fráncisco Aguilera, Principal, Estudio 13
Collin Jordan, Mastering Engineer and owner of the boiler mastering room.

“When we fired up the system in my WSDG-designed room I was astonished at the difference in the sound quality. The Dunlavy’s sounded completely different.  The room’s acoustics gave my system a remarkably enhanced level of clarity, and resonance; the phase coherency and frequency balance creates a 3-dimensional space where the sound is present in the room in an almost physical sense.”

Collin Jordan, Owner, Engineer, The Boiler Room Mastering
“Very good sounding studio. The Dolby guys did not spend so much time tweaking on the equalization of all the speakers. Our clients are very happy with the design, color and the best sound mix experience! We are now preparing our website to feature WSDG and Dolby Atmos. Some foreign clients have started coming this year from here in Asia and Europe and the most prominent comment is “they were not expecting this very beautiful mixing suite in this part of the world”. We are very happy indeed! Thank you very much Sergio, Breno, Renato and WSDG!!!”
Mike Idioma, Owner, Engineer, Wildsound Studios
“WSDG created an extraordinary studio for us. The sound, the look and the feel of our new studio far exceed our initial hopes. Having rooms like these not only puts our clients at ease; it enhances our professionalism and inspires our creativity.”
Matt McPhail, Owner & Sound Engineer, Undisclosed Location Studios
“We just finished our first big project and people love the whole studio! We used the mix room as soon as we finished the equipment installation. The first person in our vocal booth was Meryl Streep! She was here for nine straight days, and kept talking about how much she loves working here.”
Oliver Lief, CEO & Film/TV Editor, Blue Table Films & Blue Table Post
Ryan Moys, Facilities manager at Drexel University.

“I have been able to record and mix a few projects for class presentations in the flagship studio and I can say that the studio is hands down the best studio in Philadelphia. The isolation is the best of any studio that I have ever worked at. The frequency response of the studio is very accurate with no buildups or noticeable resonances. Every musician, engineer, and producer that has visited the space has been absolutely impressed. I wish we could build more!“

Ryan Moys, Facilities Manager, Drexel University