San Francisco, California
A two-story warehouse on Bryant Street in SF’s burgeoning ‘South of Market’ district has been re-purposed as Studio Trilogy, an acoustically and aesthetically unique recording studio/office complex /gallery/residence, created by a design and construction team lead by John Storyk and the Walters-Storyk Design Group.
Three years in development, the new facility features a classic SSL 9000K console originally owned by the NY Hit Factory, and twin Digidesign D-Command rooms. Created to provide Studio Trilogy producers with an agile facility adaptable to a wide range of musical talents and styles, the studio can accommodate virtually any recording challenge.
“We were working with a solid structure that had good bones, few columns, high ceilings and an open floor plan,” reports architect/acoustician John Storyk. “There were a number of elements that made this a particularly interesting assignment. In addition to a technically advanced professional recording studio, we were devoting almost half the 12,000 sq. ft. space to a private residence and art gallery. Company owner (and former Seagate CFO), Steve Luczo, is an accomplished songwriter committed to developing the next generation of SF-based writer/performers. He also owns an extensive collection of contemporary art. Access to these works can be a catalyst for creativity, so the gallery is wired for playback and tracking. It’s an amazing listening environment,” Storyk says.
Storyk’s studio design took advantage of the building’s height and open structure to introduce a ten foot, clearstory skylight to the live room. “We try to access daylight whenever possible. The skylight not only brightens the room, it promotes creativity. We also negotiated a clear line of sight between the three control rooms, all four iso booths and the live room,” Storyk says. “Light, space and eye contact were meaningful to everyone at Studio Trilogy. Communication is an integral element of this company. Obviously this amount of glass can present some challenging ‘reflective sound’ issues. But, after designing almost 2000 studios around the world, we’ve developed effective methods for resolving acoustic problems. We stipulated that all the rooms be constructed on split concrete slabs, and we used triple wall construction and sand-filled concrete block partitions for between-room isolation.
“Particularly useful were an on-going series of predictive auralization calculations,” Storyk adds. “By ‘listening’ to the rooms’ calculated impulse responses we were far ahead of the room-tuning stage before construction was complete.”
In addition to the classic SSL 9000K (provided by Dave Malekpour’s Professional Audio Design), Studio Trilogy features two Digidesign D-Command ICON consoles. All three studios are outfitted with 72 channels of Pro Tools HD. Genelic 8050A’s and, 1035B mains soffited in the SSL room, for 5.1 monitoring throughout. All speakers are managed by three Dolby Lake processors (a studio first). Wire management is kept primarily in below-floor troughs.
“We collaborated with an extraordinary team on this project,” Storyk says. “Interior designer Christine Witherspoon of Wilson, Wyoming-based Gallinger Trayner Design had worked with Steve Luczo on a number of projects. She provided invaluable insights into his aesthetic leanings. Marin County-based Red Horse Constructors did a tremendous job of turning our design dreams into an amazing multi-purpose real-world complex. Working with world-class professionals is always a pleasure, and Studio Trilogy stands as a particularly positive experience.”
Some WSDG team members have been working with John Storyk for decades. Marcy Ramos (HVAC engineering) and Robert Wolsch (electrical/lighting design) have been on board since 1969. Judy Brown (system design & project management) is another long-time company staple, as are WSDG Europe division head Dirk Noy and his associate Gabe Hauser (advanced acoustic analysis). Romina Larregina (project manager) transferred to the WSDG NY headquarters 3 years ago after an initial stint with the company’s Argentine office.
“We worked closely with client project manager Jack Leahy, right from the sight selection process. Jack is a good friend and former client who retained us to design his Crescendo Studio complex some years ago,” Storyk concludes. “The frequent cross-country flights, trips were a plus factor too, as San Francisco is one of the world’s great cities. Studio Trilogy is a terrific project, and we are proud to have made a meaningful contribution to SF’s recording community.”